This site has limited support for your browser. We recommend switching to Edge, Chrome, Safari, or Firefox.
Congratulations! Your order qualifies for free shipping Free shipping within Serbia for orders above 10000 RSD

Cart 0

Congratulations! Your order qualifies for free shipping You are РСД10,000 away from free shipping.
No more products available for purchase

Products
Pair with
Is this a gift?
Subtotal Free
View cart
Shipping, taxes, and discount codes are calculated at checkout
Hands crafting a ceramic bowl on a pottery wheel with the aid of a pottery rib.

Weeks Of Dedicated Work

Before The Magic Is Revealed.

Hands refining a ceramic plate on a pottery wheel with the assistance of a pottery trimming tool.

Weeks Of Dedicated Work

Before The Magic Is Revealed.

A ceramic artist sanding a pottery piece in a pottery studio.

Weeks Of Dedicated Work

Before The Magic Is Revealed.

Potter removing bisque-fired pottery from a ceramic kiln.

Weeks Of Dedicated Work

Before The Magic Is Revealed.

Introducing

Our Creative Process

We find great pride and inspiration in our creative process, which typically spans 2-3 weeks from the initial shaping to the final glaze firing stage. The timeline can vary based on the size and complexity of each individual object. Below, we've outlined all the steps involved in this intricate process: 


A side perspective of a ceramist shaping a ceramic bowl on the potter's wheel.

STEP #1

SHAPING ON POTTER’S WHEEL / THROWING

Each piece is shaped on a potter’s wheel, using only hands and the essential tools, such as sponges, wooden pottery knives and ribs... We use high quality clay, predominantly in earthy tones, with high concentration of clay grog – speckled cream, gray, black, terracotta, and sometimes even a mix of 2 or more clay bodies.

Hands using a pottery trimming tool to refine the base of a ceramic plate.

STEP #2

TRIMMING ON POTTER’S WHEEL

After throwing, we let the pots sleep under a plastic bag overnight and continue working on their form the next day. By stripping off any excess clay with metal pottery tools, we form a small foot, which makes our ceramics lightweight and reduces the total area of contact with table surface, preventing scratching and damage of your furniture.

 A newly trimmed ceramic cup cradled in hands.

STEP #3

DRYING

Drying takes from 3 to 10 days, depending on the size and complexity of an object. We try to slow down drying time by covering our leather hard pieces with plastic bags, because fast and uneven drying can result in warping and cracks.

Potter standing in pottery studio, sanding a ceramic bowl on a worktable.

STEP #4

SANDING

After drying, ceramics go through a minor sanding, which smoothens rough surfaces and eliminates any sharp edges, concluding the first major part of pottery making. The ceramics have now reached their greenware stage and are ready for the bisque firing!

Potter removing bisque-fired pottery from a ceramic kiln.

STEP #5

BISQUE FIRING

Still highly fragile, unfired ceramics are carefully placed into the ceramic kiln. They are fired at 850 deg, leaving the kiln after 24h, porous but firm enough to be held and handled during the glazing.

 Applying glaze to a handmade ceramic cup using a brush.

STEP #6

GLAZING

Bisque fired pieces are often dusty and they have to be wiped by a damp sponge, or sometimes washed before the glaze application. It is essential to let them dry well after cleaning in order to ensure good absorption of glaze into the bisque.

We use two types of glazes, so-called dipping glazes for our Speckled White series and brush-on glazes for our Sand and Artsy series. Brush-on glazes are applied in 2 or 3 thick layers by special glaze brushes. They give the best results when intentionally overlapped in two or 3 different tones. This is the technique of glaze layering and it’s our favourite method of glaze decoration, best displayed in our Artsy series of cups.

 Applying glaze to a handmade ceramic cup using a brush.

STEP #7

GLAZE FIRING

The final step in our pottery making process is glaze firing at 1220 deg, during which the glazes melt, forming a glasslike surface. Ceramics fired at temperatures over 1200 deg are called stoneware. They are highly durable and resilient. During firing, glazes change their tone and often create wonderful melting-like effects inside the kiln. This is why we say most of the magic happens during the glaze firing, when all elements come together - earth, water, air and fire. Glaze and clay become one, bringing to life a new functional object. Two days later, once the fired batch cools down, we unload the kiln, grind the bottoms to flatten any irregularities and ensure smooth surface of unglazed parts.

A ceramic artist sketching and planning designs in the pottery studio.

STEP #8

DOCUMENTING

We usually photograph finished pieces in-house, before we drop them to our online shop. Taking and editing photos is an essential part of our process. While arranging pottery and always shifting camera angles we get to see finished products in various compositions and perspectives, taking mental notes on the possible improvements and future developments. Often an idea for a new product or finish pops in our mind during the photo shooting!

 Packaging ceramics into cardboard boxes at the pottery studio.

STEP #9

PACKING

Due to their delicate nature, all of our ceramics are carefully packed in crafty eco-friendly packaging.

We put a lot of effort into securing each pot with multiple layers of paper and protective cardboard within a double-box packing system we have established over time, to prevent any potential damages and breaking.

A handcrafted plate with a marble effect, illuminated by beautiful sunlight.

when they reach their new home

SAFETY & CARE

Safety and durability of our ceramics take precedence. All our products are food and drink safe. They are glazed with lead-free glazes and fired at high temperatures (1220C), which makes them extremely resistant and durable. Made of Dust ceramics dishwasher and microwave-safe.

Avoid exposing very warm ceramics to extremely cold water, or pouring very warm liquid into previously fridged ceramics. Glazes we use will not retain oil stains. However, in rare cases, unglazed parts of our ceramics may get stained over time. These stains can be removed with rough side of a sponge and baking soda/vinegar.

Metal engraved Made of Dust makers mark with wooden handle.

more to love

SECONDS AND SAMPLES

On rare occasions, a piece will develop a minor flaw at one stage in the process – a hairline crack, glaze that is too thick or thin, warped surface, over or under crystallized glaze...We periodically offer these “flawed” pieces at discounted prices, as there are always people who happily give them a home, adding them to their collections. Although most of these pieces are highly functional, we call these pieces SECONDS and they are always placed in a separate section at our web-shop. Within this section, you can also often find fully functional unflawed items from older collections, as well as some samples developed for a potential collaboration or an internal studio project. Each piece is marked as „second“ or „sample“, depending on it’s characteristics, to describe the type of distinction from a standard full-priced product.